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The all-original Culture Club calendar is aback calm and headed to Pittsburgh, and if you’re afraid by that, well, you’re not alone.

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“Isn’t it a miracle?” Culture Club guitarist Roy Hay said.

Like abounding bands that rode brief acclaim in the aboriginal 1980s New Wave, Culture Club associates lived activity in the fast lane.

Hay recalls the aftermost time Culture Club played Pittsburgh, about 1999, he awoke the abutting morning forth a river afterwards a night of clubbing with some new accompany he met hours earlier.

“We’ve had some crazy nights in Pittsburgh,” Hay said.

Hay, bassist Michael Craig, bagman Jon Moss and acclaimed frontman George O’Dowd (you apperceive him as Boy George), apprehend to accumulate their applesauce on the date July 13, aback Culture Club’s alliance bout comes to Heinz Hall. Tickets amount $59 and $80, with bound gold amphitheater seats at $150.

After dates across and in Mexico, Culture Club’s U.S. improvement bout launches this weekend in Florida, with Pittsburgh the seventh stop.

“We’ve absolutely got the setlist pumping now,” Hay said in our buzz account aftermost Wednesday. “It’s a abundant set. We alpha out hitting you appropriate amid the eyes with a brace of hits, afresh we do a few new ones that are abiding to accept you up and dancing, afresh we booty it bottomward a bit by arena a few ballads and afresh get absolute active again.

“We comedy for about one hour and 50 minutes, and I’m appealing abiding you’ll apperceive all the songs, except for like four new ones, admitting you’ll be singing forth with the new ones, too, by the additional chorus.”

The pop hits their Pittsburgh army will agitation for are “I’ll Tumble 4 Ya,” “Do You Absolutely Want to Hurt Me,” “Time (Clock of the Heart)” and “Karma Chameleon,” which spent best of February 1984 aloft the Billboard chart.

“Those songs accept survived,” Hay said. “Though, of course, aback we recorded them 35 years ago we didn’t apperceive they would become classics. Bodies still go mad aback they apprehend them.”

Last summer at a New York club show, Culture Club began the addition to its blemish hit, “Do You Absolutely Want to Hurt Me,” but afore they could get to the reggae part, the admirers bankrupt into a continuing acclaim that Hay said lasted about bristles minutes.

“I anticipate George and I teared up a bit,” Hay said.

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Fans can get emotional, too.

“People acquaint us all the time, ‘I met my wife to your songs,’ or ‘Those were my brawl songs,'” Hay said.

There’s added than aloof homesickness at pale on this tour. Hay admits the English bandage that won the 1983 Grammy for Best New Artist hopes this bout revives its bequest and reminds or teaches bodies of Culture Club’s cultural impact.

With actions, not words, Culture Club bankrupt bottomward barriers, abnormally Boy George and his androgynous style.

“Without adage anything, we were a blood-soaked statement,” Hay, a above hairstylist in his built-in Essex, England, said. “Just attending at us. We don’t accept to say anything.

“George steals my adduce absolutely a lot, that I accept if you grew up with a Culture Club affiche on your bedchamber wall, you ability accept angry out a bit added ample and kinder,” Hay said.

Culture Club aboriginal bankrupt up in 1986, reuniting in 1999 and absolution a new album, afresh abandoning afresh three years later.

The group’s accessible new album, “Tribes” will be the group’s aboriginal aback 1999.

Hay says the new anthology sounds awakening with a avant-garde edge, admitting the bandage ability go aback and abuse a few songs afterwards growing to acknowledge modifications they’ve fabricated assuming them live.

“We accept not approved to be hip,” Hay said. “We didn’t assignment with Pharrell, or some contemporary ambassador to accomplish some new adaptation of us.”

It’s a celebration that the four aboriginal associates are calm again, as they aboriginal did 35 years ago, absorbing admirers with a pop complete afflicted by reggae and American soul.

“Whenever we aboriginal get aback together, it’s affectionate of like a abortive ancestors on Thanksgiving, area all your issues arise out at the table,” Hay said. “Though it consistently makes faculty as a bandage aback we’re on stage.”

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Wooly Coats blemish the surface

Two top Beaver Valley rockers, Rob James of The Clarks and Jay Wiley of the Hawkeyes, accept launched a new ancillary project, Wooly Coats, which additionally appearance Clarks’ bagman David Minarik and his guitar-playing son, Noah Minarik.

After a brace of solid rehearsals, Wooly Coat debuted aftermost Wednesday at the Pittsburgh Winery.

“Was aloof a little analysis gig but I anticipate we passed,” Wiley said. “We may accept created a little monster.”

The Wooly Coats opened that night for Nashville’s Andrew Leahey & The Homestead, who accept performed in New Brighton at Wooley Bully’s.

I’m cerebration Wooly Coats will be arena Wooley Bully’s ancient soon.

Fine times at Vine Rewind

Pittsburgh Winery popped the cork on a new alfresco music anniversary aftermost Sunday.

The assembly was able-bodied for the aboriginal Vine Rewind in the 28th block of Penn Avenue, a little haven in the Strip District. Two stages kept the music rolling, with aliment trucks and beer and adamantine cider vendors acceptable appetites. The sangria table run by the winery was a accepted destination.

I was afflicted by the artists I saw, abnormally piano-driven garage-pop bandage Wreck Loose, and high-energy indie-pop bandage Nevada Color.

The now Philly-based Joy Ike alternate home to Pittsburgh for a able set of keyboard-led soul-pop abutting by her sister, Peace, on percussion. How can you not like Joy and Peace?

I bent a brace fun tunes from reunited 1990s college-rock bandage Dharma Sons, but afresh had to breach for Aboriginal Niagara Pavilion to awning the Dan Shay and Darius Rucker concert. Wish I could accept ashore about for the set by addition accepted ’90s band, the Buzz Poets, who got aback calm for the weekend.

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I basis for Vine Rewind to become an anniversary festival.

Guns ‘n Roses chooses well

I like the aces of Wolfmother as aperture act for Guns N’ Roses at Heinz Field.

Though not as able-bodied accepted as Alice in Chains or Lenny Kravitz, who are abating up crowds on added Gn’R dates, Wolfmother is an arresting choice, with a ample abeyant upside.

The Australian bandage acquired a lot of action aback beginning assimilate the hard-rock and alt-rock scenes in 2006. I saw them in Cleveland about then, and was addled by the band’s White Stripes-meets-Black Sabbath bluff and fury.

They’ve been off the alarm for awhile, but with a new anthology to abutment we’ll acquisition out July 12 if Wolfmother still thrills as a alive band.

Pittsburgh blur assuredly out

Here comes a adventitious to see “Fathers and Daughters,” the star-studded blur attempt in Pittsburgh in 2014.

Between July 8 and 14, the Hollywood Theater in Dormont will awning the ball about a Pulitzer Prize-winning columnist (Russell Crowe) who checks into a brainy bloom ability afterwards the afterlife of his wife. Decades later, his babe (Amanda Seyfried) avalanche for an ambitious biographer (“Breaking Bad’s” Aaron Paul). Jane Fonda, Quevenzhane Wallis and Diane Kruger (“Inglourious Basterds”) additionally arise in the blur that was never put into advanced absolution domestically, afterwards constant acrid reviews aback it premiered across aftermost year.

Crowe, Seyfried, Paul and Fonda admired cutting the blur in Pittsburgh, administration Instagram and Twitter photos, blog accounts and annual interviews area they gushed about the experience.

Scott Tady is ball editor at The Times and attainable at

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