The 1910 demography acknowledgment lists the occupants of 2138 McDonald (then Gravesend) Avenue as the ancestors of Vincent Lucchelli, 40 years old, a ”boat operator” who had immigrated from Italy about 1898.
Seven Lucchelli ancestors associates active the house, at that time aloof the accustomed arctic addition — a tiny structure, with a baby additional floor. A milk dealer, Charles Van Rasdale — allegedly of Dutch abstraction — lived a few doors away, but added than bisected of the added adjacent association were of Italian bearing or extraction.
According to blueprints that Mr. Antonides begin in the house, the Lucchellis congenital the two-story addition at the southerly end of the abode in 1924, advised by the architects Salvati & Le Quornik. About that time, the animated anatomy for what is now the F alternation went up, abatement any rural atmosphere that had survived. For a time, one of the Lucchellis operated a used-car lot from the premises.
Mr. Antonides, who edits publications for the Brooklyn Museum, came into the account in 1998, back his Park Slope freeholder appear affairs to access his hire drastically. He had accustomed about the Hubbard-Lucchelli abode from alteration a 1990 publication, ”Dutch by Design: Tradition and Change in Two Historic Brooklyn Houses” by Kevin Stayton, for the museum. He befriended Theresa Lucchelli, the aftermost of her ancestors to alive in the house, and anon began lobbying for the Landmarks Preservation Commission to baptize the abode a landmark.
A audition was captivated in 1997, but no activity was taken.
In 1998, back he was advancing to leave Park Slope, Mr. Antonides approached the ancestors and offered $100,000, but the ancestors had accustomed a aggressive action from addition who planned to annihilate the Hubbard-Lucchelli house.
That action was after withdrawn, and Mr. Antonides took appellation in 1999. But the abode bare cogent repairs, and Mr. Antonides busy a adjacent accommodation while he developed a plan.
THE New York Landmarks Conservancy, a not-for-profit group, accustomed the aberration of the abode and its absurd approaching forth such a bartering street. It gave Mr. Antonides a $50,000 admission and a 3 percent accommodation for $180,000, and he has accustomed added abate grants.
He has accustomed the landmarks attention a abiding bluff easement, acute that any approaching changes be accountable to the group’s approval.
”He’s absolutely adored that house,” said Karen Ansis, who manages the group’s Historic Properties Fund and City Ventures Fund.
The landmarks attention assassin Russell Powell of the Staten Island close Island Housewrights to investigate the architecture history of the house. Mr. Powell acclaimed the attendance of machine-cut nails, sawn joists and a red sandstone foundation in the Dutch Colonial allocation of the building, capacity that he said anachronous the architecture to about 1830.
Machine-cut nails succeeded hand-wrought nails about 1825, hewn balk was succeeded by sawn balk about the aforementioned time, and red sandstone was not accessible in the breadth in the 1700’s. That would advance Samuel Hubbard congenital the house.
Now, alive with the artist Page Ayres Cowley and the architect John Robinson, Mr. Antonides thinks he is about a ages abroad from affective in. The board exoteric has been repainted white, although autogenous painting and finishing are incomplete.
The earlier area of the three-bedroom abode has advanced ache boards and an aboriginal mantelpiece — although the Lucchellis blocked up the flue at some point.
MR. ANTONIDES says that abounding bodies anticipate his surname is Greek, but it is absolutely Dutch, and an ancestor, Vincentius Antonides, came from Friesland in 1706 to deliver in Flatbush. Although he was aloof to his Dutch ancestry as a child, added afresh Mr. Antonides has changed: he has alike abstruse Dutch, and aftermost year acclimated it to abode De Orde van den Prince, a Dutch and Flemish cultural organization, about his house.
As he can anticipate the end of construction, Mr. Antonides is adopting his sights. He is planning his garden — ”something Dutch, with tulips and a topiary,” he said — and the finishing touches on his bathroom: Delft tiles. For the large, raw bank of a bartering architecture to the south he hopes to accept a mural painted, of the pastoral Gravesend mural as it was in the aboriginal 19th century.
Even with the money he has received, he is still abbreviate of cash. On a contempo visit, he eyed his blocked-up broiler wearily. ”It would amount about $3,000 to accessible the flue,” he said, ”and, well, at this point” — that’s back he trails off, discouraged.
But 10 canicule later, over the telephone, he had rebounded. ”I’ve aloof got to get that done, somehow,” he said. Again he concluded in Dutch, accoutrement his years of travails with his appropriate house. ”Wanhoop niet,” he said — ”Don’t despair.”
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